Character archetypes which offer some level of customization replace the usual simplistic roles. The standard arena-based multiplayer modes exist as well, and there are a bunch of them, ranging from the pretty stock deathmatch modes, through domination, and bomb defusing. Voice acting comes via veteran actors Neal McDonough, Heather Graham, Jeff Goldblum, and Robert Picardo. Once you gain a little experience, and start to unlock more gates, you discover a pretty big city lies beyond where you start.
In reality, what you experience is considerably different. As with previous versions, when you first dive into Zombie mode, it looks like Left4Dead’s poor cousin.
Then there’s Zombie mode, aka Shadows of Evil. Nightmare isn’t a slavish replay of the original campaign, though maps are in a different order, objectives change, and weapon pickups happen differently. The developer, Treyarch, used the same cutscenes, but replaced the original dialog with voice overs that describe the new story as it unfolds. Nightmare cleverly reuses existing levels and assets to move players through a familiar world, but one now ravaged by zombies instead of human enemies. Then, just when you wrap up the main campaign, a new campaign reveals itself, called Nightmare. Call of Duty: Black Ops 3 incorporates four-player co-op through the campaign story, which proved to be a blast. Our Friday Night Follies (fondly referred to as FNF) LAN gaming group skews older, and we all love good co-op games. What the game gets just about perfectly, however, is co-op. The game does add some neat science fiction elements (killer robots! cyborg augmentation!), but the game plays pretty much like other current generation military shooters.
The story is impenetrable nonsense, for one. Call of Duty: Black Ops 3 is not a great game.
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